Daniel Farey-Jones
Aug 26, 2019

Cinema predicted to outpace global ad market

China accounts for 47% of global cinema adspend.

Cinema predicted to outpace global ad market

The global cinema advertising market is forecast to be worth US$4.6 billion in 2019, according to Warc. This represents a 6.8% increase over 2018, while the overall ad market is predicted to rise by 4.6% to $624.9 billion.

China is the world's largest cinema ad market, with RMB11.9 billion ($1.67 billion) expected to be spent this year, equal to a 47.3% share of global cinema adspend when measured in purchasing power parity terms. China's cinema ad market brought in RMB10.3 billion ($1.44 billion) in 2018, up 19.7% over the previous year and equal to a 44.1% share of the global market when measured in purchasing power parity terms.

The country has on average accounted for three-quarters (74.9%) of global growth in cinema adspend since 2015 and is expected to contribute 87.4% towards global cinema growth this year. Data from PwC suggests China will become the largest cinema market in 2020 in terms of box office receipts, while IHS suggests 9,303 cinema screens were added in China in 2018 alone.

Warc expects the Asia Pacific cinema ad market to be worth $2.5 billion this year, up 12.8% from 2018 levels. It has grown every year since 2014, quicker than all other traditional media as well. Cinema will account for 1.3% of all APAC adspend this year, up from 1.2% in 2018 and a 0.1% share in 2000.

In the US, the world’s second-largest cinema market, with a projected value of $735 million this year, the medium draws just 0.4% of media budgets on average.

James McDonald, managing editor at Warc Data, and author of the research, said: "The experiential nature of cinema places it in a different bracket to SVOD services, which instead occupy a similar space to traditional TV. This, coupled with the exclusivity of box-office hits—particularly franchises—should ensure any downward pressure from SVOD services is minimal in the short term.

"Cinema offers advertisers access to younger, more affluent audiences who have an affinity with the medium. This enables ads to be screened in a brand-safe environment where they will be noticed, often in a location that is close to a retail outlet and, by extension, a point of purchase."

Source:
Campaign UK

Related Articles

Just Published

10 hours ago

Why otome is the new go-to for gaming collaborations...

Like all simulation games, Otome offers a fantasy. The powerful appeal of that fantasy speaks to what many young Chinese women feel is lacking in reality: a sense of power.

11 hours ago

Campaign Global Forecast Q2 2024: Tech brands' ad ...

The troubles in the tech world cast a shadow on the industry in 2023. Will the clouds clear in 2024?

11 hours ago

Ogilvy Hong Kong, Dentsu Japan and The Monkeys in ...

The global awards show awarded top honours to campaigns hailing from 15 different markets worldwide.

11 hours ago

Agency Report Cards 2023: We grade 31 APAC networks

Campaign Asia-Pacific presents its 21st annual evaluation of APAC agency networks based on their 2023 business performance, innovation, creative output, awards, action on DEI and sustainability, and leadership.