CAREERS MEDIA: Young creatives urged to do their homework

<p>Young staff these days are intelligent, knowledgeable and quick on </p><p>the uptake. But being new to the workforce, an industry or an agency, </p><p>they have to be realistic, practical and have a sharp eye for </p><p>detail. </p><p><BR><BR> </p><p>Speakers at the recent Creative Workshop, which MEDIA organised, offered </p><p>this piece of advice. For a start, speakers said young, up-coming </p><p>creatives should get as much information as possible before moving into </p><p>a new position or a new agency. </p><p><BR><BR> </p><p>Mr Thor Santisiri, chairman and executive creative director of TBWA Next </p><p>& Triplet Advertising in Thailand, said candidates looking for an agency </p><p>career must realise that a little homework goes a long way in planning a </p><p>clear career development path. </p><p><BR><BR> </p><p>"Don't believe the agency brochure, the sweet talk and the nice </p><p>reception area. Judge an agency by its creative work. And make sure the </p><p>people who have done the work are still there," he said. </p><p><BR><BR> </p><p>M&C Saatchi Singapore creative director Paul Ruta added that creatives </p><p>looking to get ahead should seek out the creatives they believe they can </p><p>learn from. </p><p><BR><BR> </p><p>"Go see the people you admire and find out their work and their </p><p>clients. </p><p><BR><BR> </p><p>Demonstrate your interest. But go in looking for advice and not the </p><p>job. </p><p><BR><BR> </p><p>Don't feel you have failed if you are sent away with instructions to </p><p>re-do your portfolio because this is advice you need to improve." </p><p><BR><BR> </p><p>In job interview situations, both Mr Santisiri and Mr Ruta said that </p><p>applicants should keep it short and simple; four to five campaigns with </p><p>the best first. </p><p><BR><BR> </p><p>Anything which has even a small chance of being challenged should be </p><p>left out. </p><p><BR><BR> </p><p>Said Mr Ruta: "You won't be judged by your best piece of work; you'll be </p><p>judged by your worst one. </p><p><BR><BR> </p><p>"If you feel you need to make excuses - we weren't given a big enough </p><p>budget, etcetera - then take that piece of work out of the </p><p>portfolio. </p><p><BR><BR> </p><p>The same goes for one-offs and work which is too simple. Also don't </p><p>bother with story boards and scripts." </p><p><BR><BR> </p><p>Mr Santisiri added that the portfolio should also demonstrate that "you </p><p>can do good ads on small accounts". </p><p><BR><BR> </p>

Young staff these days are intelligent, knowledgeable and quick on

the uptake. But being new to the workforce, an industry or an agency,

they have to be realistic, practical and have a sharp eye for

detail.



Speakers at the recent Creative Workshop, which MEDIA organised, offered

this piece of advice. For a start, speakers said young, up-coming

creatives should get as much information as possible before moving into

a new position or a new agency.



Mr Thor Santisiri, chairman and executive creative director of TBWA Next

& Triplet Advertising in Thailand, said candidates looking for an agency

career must realise that a little homework goes a long way in planning a

clear career development path.



"Don't believe the agency brochure, the sweet talk and the nice

reception area. Judge an agency by its creative work. And make sure the

people who have done the work are still there," he said.



M&C Saatchi Singapore creative director Paul Ruta added that creatives

looking to get ahead should seek out the creatives they believe they can

learn from.



"Go see the people you admire and find out their work and their

clients.



Demonstrate your interest. But go in looking for advice and not the

job.



Don't feel you have failed if you are sent away with instructions to

re-do your portfolio because this is advice you need to improve."



In job interview situations, both Mr Santisiri and Mr Ruta said that

applicants should keep it short and simple; four to five campaigns with

the best first.



Anything which has even a small chance of being challenged should be

left out.



Said Mr Ruta: "You won't be judged by your best piece of work; you'll be

judged by your worst one.



"If you feel you need to make excuses - we weren't given a big enough

budget, etcetera - then take that piece of work out of the

portfolio.



The same goes for one-offs and work which is too simple. Also don't

bother with story boards and scripts."



Mr Santisiri added that the portfolio should also demonstrate that "you

can do good ads on small accounts".