REPORT - TEEN POWER 2000: Teen market stays one step ahead - So you think you know how to talk to teens, do you? ... Well, think again

<p>It comes as news to no one that teenagers are highly cynical about </p><p>marketing, suspicious of advertising and have an unnerving ability to </p><p>set trends even before marketers can invent them. </p><p><BR><BR> </p><p>There are, however, ways to reach this infuriating target group, and </p><p>marketers just have to try that much harder, although there are certain </p><p>sure-win methods - music, for example. </p><p><BR><BR> </p><p>As singer Bjork once said, "As we become increasingly alienated in our </p><p>lives, music may be the only voice we have left". </p><p><BR><BR> </p><p>But as Channel V commercial director Jasper Donat noted at the Teen </p><p>Power 2000 conference in Hong Kong, it is crucial to understand how </p><p>teenagers are interacting with music these days, not just listening to </p><p>it. </p><p><BR><BR> </p><p>"Nowadays, music is so cool and so interactive that it has gone from </p><p>passive to active," he said, pointing to websites such as Beatnik, which </p><p>uses software that enables users to create and record their own mixes </p><p>for popular songs - and these new mixes can then be emailed to friends </p><p>or even back to the original artists. </p><p><BR><BR> </p><p>Some marketers have already caught on to the possibilities offered by </p><p>the 'Net, including vodka maker Absolut, which encourages viewers to </p><p>test their DJ skills by mixing online. </p><p><BR><BR> </p><p>Of course, online marketing is not the be-all and end-all of how best to </p><p>reach the teen segment. </p><p><BR><BR> </p><p>"There have been huge fragmentations in the media targeted at Asian </p><p>teens, and this in turn is highly filtered by the target itself," said </p><p>Mr Donat. </p><p><BR><BR> </p><p>"Time has become a precious commodity - once you waste (teenagers') </p><p>time, you'll lose them forever. They'll never come back." </p><p><BR><BR> </p><p>This means that marketing and advertising needs not only to be highly </p><p>targeted, it must be totally relevant - this in itself causes problems, </p><p>because what is cool and what is not can change on a daily basis with </p><p>teenagers. </p><p><BR><BR> </p><p>"It is important to talk to kids all the time," he said. </p><p><BR><BR> </p><p>"Young people today are major commercial influencers in the home. In </p><p>China, for example, up to 70 per cent of purchase decisions are </p><p>determined by children, compared with just 40 per cent in the US. Youth, </p><p>therefore, are very important customers." </p><p><BR><BR> </p><p>The key point in any use of music when targeting teens is to make the </p><p>experience as interactive as possible: "They can even interact with </p><p>music at games arcades," Mr Donat said, referring to dance machines and </p><p>games in which players can test their musical skills with simulated </p><p>guitars and suchlike. </p><p><BR><BR> </p><p>Then there have been marketers, mainly record companies, who have turned </p><p>the entire concept of artist endorsement on its head by specifically </p><p>creating bands as products, who look great on TV but are basically </p><p>incapable of writing music or playing their own instruments. </p><p><BR><BR> </p><p>Despite this, the power of artist endorsement still exists, and some </p><p>highly synergistic partnerships have been forged. </p><p><BR><BR> </p><p>In recent contracts Pepsi negotiated with the likes of Faye Wong, Aaron </p><p>Kwok and Janet Jackson, for example, the line between the artists' music </p><p>videos (to promote their own songs) and the product TVC (to promote the </p><p>drink) is all but erased, resulting in strikingly similar creative for </p><p>both. </p><p><BR><BR> </p><p>The singers' tracks were also licenced for Pepsi giveaways in China, in </p><p>which specially-produced CDs were given away for every purchase of a </p><p>specific number of cans of Pepsi. </p><p><BR><BR> </p><p>Tie-ups of this nature can have drawbacks, particularly where teens feel </p><p>that the product placement is too obvious and the marketing becomes, in </p><p>essence, "hostile". </p><p><BR><BR> </p><p>In one case, teens in India were turned off in droves when soft drink </p><p>Limka negotiated a highly prominent - and totally out of character - </p><p>placement in a music video by a popular singer. </p><p><BR><BR> </p><p>A lot of careful consideration and thought needs to be given to star </p><p>endorsement and event sponsorship, therefore. </p><p><BR><BR> </p><p>Channel V and Philips, for example, have just launched the "Face to </p><p>Face" project, in which 18 concerts will be staged across China over the </p><p>next nine months - and the live element will be given a multimedia twist </p><p>with coverage on the radio and Internet. </p><p><BR><BR> </p><p>"Teens will thank sponsors and buy their products, but event sponsorship </p><p>has become so much more than just hanging up a couple of banners at a </p><p>concert and hoping that the audience will like your product," Mr Donat </p><p>said. </p><p><BR><BR> </p>