‘Duolingo on Ice’ was just an April Fools’ joke. But here’s how the brand made it feel real
Duolingo's director of marketing campaigns Michaela Kron shares the strategy, tactics and results behind the language learning app’s prank.
Duolingo's director of marketing campaigns Michaela Kron shares the strategy, tactics and results behind the language learning app’s prank.
The brand will transition an old cattle ranch in South Carolina into a plant-based farm and document the daily ongoings on social media.
Aly Hite, director of brand, sports and strategic partnerships for Coca-Cola Company North America, shares the inside story.
Nearly all global campaign toolkits are never activated in local markets, according to the findings.
The Rituals We Share campaign seizes on the trend of athletes speaking up about their mental health struggles to help people in need.
The campaign features star athletes from across leagues coaching high school athletes.
In its latest campaign with VML, Bic used AI to reproduce William Shakespeare’s ‘Romeo and Juliet’ with the Cristal pen that turned 75 this year.
The Ordinary is encouraging consumers to avoid ‘flashy sales and irrational buying.’
The actress stars in three spots for the Hello Apple Intelligence campaign, which introduces the iPhone’s new enhanced AI features.
The 60-second spot contrasts the reality that as athletes shatter records at the Games, the world is smashing climate records.
Chief solutions architect Scott Hagedorn shares insights on how AI is transforming how the holding company services clients.
Specht is behind the iconic L’Oréal slogan, ‘Because I’m Worth It’ created during the ‘Mad Men’ era.
That symbolism was the key to Allianz’s World Cup-tied campaign.
Serious Foreplay encourages romantic partners to check one another’s skin for melanoma.
The French pharmaceutical company created a “movie trailer” to warn people about the upcoming flu season.
The group, Boys No More, includes stars from popular ‘90s bands.
The campaign team saw “strong parallels” between what both brands offer to their fans.
The Unilever brand this month launched the See My Skin campaign.
It’s the first among major platforms to create a policy specific to climate misinformation.
The effort comes amid growing public scrutiny about the role social media plays in mental health, especially that of adolescents.
Of course, J-Hope’s favorite drink Sprite had to be involved.
The campaign comes amid heightened scrutiny of the mental health effects of social media.
The company wants to emphasize its mission to deliver on the promise of mRNA science.
The cruise line wants to help other travel brands use more diverse images for their content.
Two-thirds of women report feeling burnt out in the past week, according to a study from Berlin Cameron and Kantar for International Women’s Day.
The social media company is looking to differentiate itself from Instagram and other networks.
The social media company is looking to differentiate itself from Instagram and other networks.
The 90-second spot asks fans to consider which celebrity they would prefer to launch their own line of branded headphones.
The luggage brand quickly had to find underwear that would fit its Bigger Carry-On suitcase.
The campaign reframes the popular website icon into a depiction of its classic cookie in a rewards campaign.
It’s been 25 years since Ben & Jerry’s “merged” with Unilever. The company that gave us Cherry Garcia ice cream retained the values it was founded on longer than expected, but those hippie ideals are fading, Éric Blais writes.
Anxious agencies should initiate discussions with clients in order to improve their relationship. Strong relationships are rarely found, they’re built, writes Éric Blais.
Canned food has a good story to tell, but Del Monte was unable to make it stick.
A recent focus on the brand’s communal experience falls short of conveying what Éric Blais believes makes Starbucks truly unique: well-crafted coffee.
“Print is being rediscovered as a premium channel… precisely because everyone’s eyes are glazed over from too many digital ads,” says Éric Blais in his latest Free to Disagree column.