VIEWPOINT: HK's finest and their rubbish awards kit

<p>Nice one, Hong Kong 4As. Just when life threatened to get boring, </p><p>along comes the call for entries to the 2001 4As Creative Awards to </p><p>liven things up. </p><p><BR><BR> </p><p>The entry pack is a tongue-in-cheek call to arms against the territory's </p><p>western community (see p1). It calls on the SAR's creatives to "Exorcise </p><p>the Gwei. Let the Chinese light shine". </p><p><BR><BR> </p><p>Racism charges have flown over the challenge to "purge the Gwei", along </p><p>with westerner-baiting charms such as Virgin's Pee and Holy Saliva. </p><p>Fine, if the intention was to court publicity-generating controversy. </p><p>But with agencies threatening to boycott the awards, it could be </p><p>counter-productive. </p><p><BR><BR> </p><p>In the midst of the screeching, it's worth bearing a few things in </p><p>mind. </p><p><BR><BR> </p><p>First, it's interesting that the shrillest condemnatory voices have been </p><p>Chinese, and that the creative director ultimately responsible for it, </p><p>Saatchi & Saatchi's Craig Davis, is an Australian. Few westerners we can </p><p>find actually find the pack offensive, or the term "gwei". Asking how </p><p>Chinese people would react if a western advertising body called for them </p><p>to be expelled from London or New York is silly - westerners are not an </p><p>oppressed minority, and there's no history of Chinese colonialism in the </p><p>west. In fact, the pack is as satirical about Chinese people as </p><p>westerners, and it's far too over-the-top for anyone with a sense of </p><p>humour to take seriously. </p><p><BR><BR> </p><p>It doesn't do to get too judgemental about so-called offensive </p><p>material. </p><p><BR><BR> </p><p>After all, we all spend so much of our time calling for more </p><p>risk-taking, boundary-pushing communication. </p><p><BR><BR> </p><p>The problem isn't that it's offensive - the problem is that it's </p><p>rubbish. </p><p><BR><BR> </p><p>It's not funny, and it isn't even particularly appropriate - why is </p><p>gweilo-bashing a good idea for a piece of communication to promote an </p><p>awards scheme? It feels forced. </p><p><BR><BR> </p><p>The worrying thing is not the content of the pack, but that Hong Kong's </p><p>finest creative minds thought that it was fitting for the awards. If </p><p>they can't get it right when they're targeting their own peers, how are </p><p>they going to do so with consumers? </p><p><BR><BR> </p>

Nice one, Hong Kong 4As. Just when life threatened to get boring,

along comes the call for entries to the 2001 4As Creative Awards to

liven things up.



The entry pack is a tongue-in-cheek call to arms against the territory's

western community (see p1). It calls on the SAR's creatives to "Exorcise

the Gwei. Let the Chinese light shine".



Racism charges have flown over the challenge to "purge the Gwei", along

with westerner-baiting charms such as Virgin's Pee and Holy Saliva.

Fine, if the intention was to court publicity-generating controversy.

But with agencies threatening to boycott the awards, it could be

counter-productive.



In the midst of the screeching, it's worth bearing a few things in

mind.



First, it's interesting that the shrillest condemnatory voices have been

Chinese, and that the creative director ultimately responsible for it,

Saatchi & Saatchi's Craig Davis, is an Australian. Few westerners we can

find actually find the pack offensive, or the term "gwei". Asking how

Chinese people would react if a western advertising body called for them

to be expelled from London or New York is silly - westerners are not an

oppressed minority, and there's no history of Chinese colonialism in the

west. In fact, the pack is as satirical about Chinese people as

westerners, and it's far too over-the-top for anyone with a sense of

humour to take seriously.



It doesn't do to get too judgemental about so-called offensive

material.



After all, we all spend so much of our time calling for more

risk-taking, boundary-pushing communication.



The problem isn't that it's offensive - the problem is that it's

rubbish.



It's not funny, and it isn't even particularly appropriate - why is

gweilo-bashing a good idea for a piece of communication to promote an

awards scheme? It feels forced.



The worrying thing is not the content of the pack, but that Hong Kong's

finest creative minds thought that it was fitting for the awards. If

they can't get it right when they're targeting their own peers, how are

they going to do so with consumers?