PRIVATEVIEW: Stanley Wong

<p>I can still remember that day back in 1992, at the JWT Hong Kong </p><p>conference room. Our chairman Grace Atkinson stood in front of a </p><p>potential client giving her preamble to a pitch presentation: "This is </p><p>our single-minded JWT brief and vision to produce the most distinctive </p><p>and effective communications works within the local market. I hate to </p><p>say this in front of my creative team that both - being distinctive and </p><p>effective - are of equal importance, but if I needed to rank them, I </p><p>would put effectiveness before being distinctive." </p><p><BR><BR> </p><p>This is how advertising and communications work and I truly believe in </p><p>and follow this discipline to this day. </p><p><BR><BR> </p><p>For Sprite Hong Kong, the outdoor ads are very successful in grabbing </p><p>people's attention (including mine) at the start. However, that's all </p><p>they do really ... they do not inspire or involve me (or any young kids, </p><p>I guess). I don't think any one would be motivated to have a Sprite </p><p>after seeing this ad. And also, the constantly changing typeface from ad </p><p>to ad begs the question: is this a cool thing to do? I still remember </p><p>the Nike Marathon ad where they put a small, understated 'swoosh' logo </p><p>on the runner's cheek. To me, this is confident and cool. </p><p><BR><BR> </p><p>The visuals for Actara are nice. The chilli ad definitely clicked and </p><p>the writhing bodies of the red peppers had the essence of a 'safe sex' </p><p>idea in it. However, I cannot say the same for the mango or rice </p><p>executions. </p><p><BR><BR> </p><p>This is yet another version of Saatchi & Saatchi London's "irritating </p><p>eye" campaign - a ball-shaped character with arms and legs and a face </p><p>where the belly ought to be - only this one is in Hong Kong for Mr </p><p>Juicy. </p><p><BR><BR> </p><p>If agencies are thinking of more similar executions, please stop and </p><p>give us a break. On the flip side, however, it is encouraging to see a </p><p>refreshing approach to revamp a family brand with a long history like Mr </p><p>Juicy. But the dark humor isn't quite there. It didn't make me laugh nor </p><p>did it excite me. Thus I cannot say if it was effective. I would be </p><p>looking for better story ideas in future. </p><p><BR><BR> </p><p>To use a local kung fu comic style for Intouch Sheer Condom is an </p><p>interesting approach to target young teenagers in Hong Kong. Nice idea, </p><p>nice visuals but the music of one of the TVC titled "Sheer" could have </p><p>been a little more sensational. </p><p><BR><BR> </p><p>It is very touching to see this ad from the Ministry of Community </p><p>Development and Sports, Singapore. The idea is simple and convincing. I </p><p>would think every parent would buy the logic of the ad as a reminder of </p><p>what they haven't done for their kids recently. Extremely effective. </p><p><BR><BR> </p><p>Another simple and nice TV ad for Leisure Commerce Square in </p><p>Malaysia. </p><p><BR><BR> </p><p>I found this funny and refreshing, and also it's a very good solution </p><p>for such a tough brief. I could envisage some creatives rejecting such a </p><p>boring and no-hope brief in order to spend their time coming up with </p><p>another scam ad. </p><p><BR><BR> </p><p>Stanley Wong is chief creative officer of Centro Digital Pictures </p><p><BR><BR> </p><p>1. SPRITE </p><p>Project: Sprite thematic </p><p>Client: Coca-Cola China </p><p>Brief: To reinforce Sprite's cool, edgy, self-confident and </p><p>self-expressive user imagery </p><p>Agency: McCann-Erickson Guangming </p><p>Creative directors: Geoff Naus, Norman Ying </p><p>Art director: Norman Ying </p><p>Exposure: magazine and outdoor </p><p>2. ACTARA </p><p>Project: Actara "Generation" </p><p>Client: Syngenta Crop Protection, Asia Pacific </p><p>Brief: Launch campaign </p><p>Agency: TBWA Hong Kong Creative director: Clarke Mallery </p><p>Art director: May Lee </p><p>Production company: Colour Six </p><p>Exposure: TV, print, outdoor, below-the-line </p><p>3. MR JUICY </p><p>Project: Mr Juicy </p><p>Client: Citrus Growers International </p><p>Brief: To position Mr Juicy as a fun beverage and widen its market </p><p>Agency: Ogilvy & Mather </p><p>Creative director: Annie Wong </p><p>Art director: Karen Lai </p><p>Copy writers: Simon Handford, Janice Tsang </p><p>Director: Chan Man Chung </p><p>Production company: Film Factory </p><p>Exposure: TV </p><p>4. INTOUCH </p><p>Project: inTouch Sheer Condom </p><p>Client: Gloria Leong, marketing manager, Whitehall HK </p><p>Brief: New product launch </p><p>Agency: Bates Hong Kong </p><p>Creative directors: Iris Lo, Sylvester Song </p><p>Art director: Peggy Ho </p><p>Copywriter: Ronnie Yeung </p><p>Production company: Centro </p><p>Exposure: TV </p><p>5. MINISTRY OF COMMUNITY DEVELOPMENT AND SPORTS, SINGAPORE </p><p>Project: National Family Week 2001 </p><p>Client: Singapore Government </p><p>Brief: To encourage parents to spend more 'quality time' with their </p><p>children </p><p>Agency: DY&R Singapore </p><p>Executive creative director: Patrick Low </p><p>Creative director: Mark Fong </p><p>Art director: Francis Ooi </p><p>Copywriter: Ang Kah Han </p><p>Production house: Moviola </p><p>6. LEISURE COMMERCE SQUARE </p><p>Project: Keys 1 </p><p>Client: Leisure Commerce Square </p><p>Brief: To promote property sales for the Keys 1 development and link it </p><p>to a Peugeot lucky draw </p><p>Agency: D'Arcy Malaysia </p><p>Creative directors: Thomas Low, Kins Lee </p><p>Art director: Kit </p><p>Copy writer: Amy Tan </p><p>Director: Low Chunwan </p><p>Production company: Barney Productions </p><p>Exposure: TV </p><p><BR><BR> </p>

I can still remember that day back in 1992, at the JWT Hong Kong

conference room. Our chairman Grace Atkinson stood in front of a

potential client giving her preamble to a pitch presentation: "This is

our single-minded JWT brief and vision to produce the most distinctive

and effective communications works within the local market. I hate to

say this in front of my creative team that both - being distinctive and

effective - are of equal importance, but if I needed to rank them, I

would put effectiveness before being distinctive."



This is how advertising and communications work and I truly believe in

and follow this discipline to this day.



For Sprite Hong Kong, the outdoor ads are very successful in grabbing

people's attention (including mine) at the start. However, that's all

they do really ... they do not inspire or involve me (or any young kids,

I guess). I don't think any one would be motivated to have a Sprite

after seeing this ad. And also, the constantly changing typeface from ad

to ad begs the question: is this a cool thing to do? I still remember

the Nike Marathon ad where they put a small, understated 'swoosh' logo

on the runner's cheek. To me, this is confident and cool.



The visuals for Actara are nice. The chilli ad definitely clicked and

the writhing bodies of the red peppers had the essence of a 'safe sex'

idea in it. However, I cannot say the same for the mango or rice

executions.



This is yet another version of Saatchi & Saatchi London's "irritating

eye" campaign - a ball-shaped character with arms and legs and a face

where the belly ought to be - only this one is in Hong Kong for Mr

Juicy.



If agencies are thinking of more similar executions, please stop and

give us a break. On the flip side, however, it is encouraging to see a

refreshing approach to revamp a family brand with a long history like Mr

Juicy. But the dark humor isn't quite there. It didn't make me laugh nor

did it excite me. Thus I cannot say if it was effective. I would be

looking for better story ideas in future.



To use a local kung fu comic style for Intouch Sheer Condom is an

interesting approach to target young teenagers in Hong Kong. Nice idea,

nice visuals but the music of one of the TVC titled "Sheer" could have

been a little more sensational.



It is very touching to see this ad from the Ministry of Community

Development and Sports, Singapore. The idea is simple and convincing. I

would think every parent would buy the logic of the ad as a reminder of

what they haven't done for their kids recently. Extremely effective.



Another simple and nice TV ad for Leisure Commerce Square in

Malaysia.



I found this funny and refreshing, and also it's a very good solution

for such a tough brief. I could envisage some creatives rejecting such a

boring and no-hope brief in order to spend their time coming up with

another scam ad.



Stanley Wong is chief creative officer of Centro Digital Pictures



1. SPRITE

Project: Sprite thematic

Client: Coca-Cola China

Brief: To reinforce Sprite's cool, edgy, self-confident and

self-expressive user imagery

Agency: McCann-Erickson Guangming

Creative directors: Geoff Naus, Norman Ying

Art director: Norman Ying

Exposure: magazine and outdoor

2. ACTARA

Project: Actara "Generation"

Client: Syngenta Crop Protection, Asia Pacific

Brief: Launch campaign

Agency: TBWA Hong Kong Creative director: Clarke Mallery

Art director: May Lee

Production company: Colour Six

Exposure: TV, print, outdoor, below-the-line

3. MR JUICY

Project: Mr Juicy

Client: Citrus Growers International

Brief: To position Mr Juicy as a fun beverage and widen its market

Agency: Ogilvy & Mather

Creative director: Annie Wong

Art director: Karen Lai

Copy writers: Simon Handford, Janice Tsang

Director: Chan Man Chung

Production company: Film Factory

Exposure: TV

4. INTOUCH

Project: inTouch Sheer Condom

Client: Gloria Leong, marketing manager, Whitehall HK

Brief: New product launch

Agency: Bates Hong Kong

Creative directors: Iris Lo, Sylvester Song

Art director: Peggy Ho

Copywriter: Ronnie Yeung

Production company: Centro

Exposure: TV

5. MINISTRY OF COMMUNITY DEVELOPMENT AND SPORTS, SINGAPORE

Project: National Family Week 2001

Client: Singapore Government

Brief: To encourage parents to spend more 'quality time' with their

children

Agency: DY&R Singapore

Executive creative director: Patrick Low

Creative director: Mark Fong

Art director: Francis Ooi

Copywriter: Ang Kah Han

Production house: Moviola

6. LEISURE COMMERCE SQUARE

Project: Keys 1

Client: Leisure Commerce Square

Brief: To promote property sales for the Keys 1 development and link it

to a Peugeot lucky draw

Agency: D'Arcy Malaysia

Creative directors: Thomas Low, Kins Lee

Art director: Kit

Copy writer: Amy Tan

Director: Low Chunwan

Production company: Barney Productions

Exposure: TV