PRIVATEVIEW: Kasey Lin

Philam: Nice photography, neat art direction and clever executions that relate different financial products to different age groups. But do corporate ads have to look that corporate? I mean, even the top corporate executives prefer to dress more casually these days.

Crispix: I like the simplicity of the campaign. I like the tagline, 'Seriously Unserious Cereal'. And I like the endless execution possibilities that can be derived from this platform. But I really hate the overacting talents. Do they really have to exaggerate their facial expression to deliver the humour? Don't they believe that understated and subtle humor can work better? Or have the talents been watching too many Cantonese comedies?

Skechers: To sell a pair of retro skechers, modern bus shelters, electric boxes and giant, three-dimensional mock-ups are used. And the tagline is, 'I love retro'. But I guess there must be a better way to sell the idea of retro, because the platforms used are not very retro. What about worn out-looking posters, repackaging trams, or old-looking movie posters in cinemas? Another golden opportunity missed.

Sensa Cool: A classic problem/solution commercial. So classic, I almost think it's from the 1980s. There's even a spokesman who appears in the TVC to explain the product usage. No, I am not particularly against this type of commercial. Sometimes I even find them effective and insightful.

Look at some of the early works of Alka Seltzer or more recent campaigns by Oil of Ulan. They interrogate the product to produce consumer benefits.

But watching the Sensa Cool commercial is like listening to an insurance salesman. Everything is forgotten in two minutes.

BBC: Someone has come up with a very good strategy. But I think the creative isn't working hard enough. It should go deeper and the content should be more inspirational to read. Afterall, BBC is for intelligent viewers and intelligent people like to read.

Aviva: This outdoor ad might as well be a print ad - but even then it wouldn't be a good one. The art direction is brochure-like and the headline looks as though it has been taken from the creative brief.

Kasey Lin is head of creative at MK2 Communications

1: Philam

Project name: Growing as you grow

Client: Philam Group

Objective: Promote the fact that the group offers a range of finance

and wealth management products, not just insurance.

Agency: Ogilvy & Mather, Manila

2: Crispix

Project name: Seriously Unserious Cereal

Client: Kellogg's

Objective: Inject some fun into breakfast time.

Agency: Leo Burnett, Sydney

Creative director: Nick Souter Art director: Micah Walker

Copywriter: Greg Logan

Photographer: The Look Agency

3: Skechers

Project name: Skechers Retro Client: Skechers Objective: To promote

Skechers Retro.

Agency: DDB Hong Kong

Creative director: Colin Ruffell Art directors: Alan Cheung, Louis Fung

Copywriter: Frankie Fung

4: Sensa Cool

Project name: MRI Scan

Client name: Getz Bros. & Co. (HK) Ltd

Objective: To increase the brand awareness and product registration.

Agency: BBDO Hong Kong

Art director: Samuel Ho

Copywriter: Erica Sham

Production house: CM Studio

5: BBC

Project name: Demand a broader view

Client name: BBC

Objective: Drive awareness of the BBC's service as the most informed

and independent available.

Objective: WARL Change Behaviour (UK)

Creative director: Tommy Adkins

Copywriter: Sarah Lindsay

Art director: Alison Man

6: Aviva

Project name: Travel insurance

Client name: Aviva Group

Objective: Persuade uninsured travellers going to the airport to call

Aviva and sign up for travel insurance.

Creative Agency: Citigate Window Creative, Hong Kong

Creative director: Simon Cheung

Art director: Sujith Kumara

Copywriter: Mark Kong

Interested in having your campaigns reviewed? Send submissions to Alfred Hille in the form of trims, transparencies or video printouts for TVCs plus the TVC itself, and proofs for print ads and posters.

Please send all material to Media, 28/F, Dorset House, 979 King's Road, Quarry Bay, Hong Kong.

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