PRIVATE VIEW: Tan Khiang, executive creative director of M&C Saatchi

Double A: Like the concept. Nice photography, or should we say nice retouching. Nothing to fault. Double A started with Toast and Jam. Excellent stuff. We saw a version about dandruff in Hong Kong, which was rather mystifying. But people can relate to the problem: if you use the wrong paper, it will jam up the photocopier, the machine will break down, it will need the attention of a serviceman, the problem will delay your urgent project, you may lose your client, and it may cost you your job.

McDonald's: Being an art director, I can say the layout is terrible.

The ad is stating the brief, which is to show McDonald's to be a good corporate citizen. So the ad is a chest-beating, feel-good exercise. What about playing with the McDonald's logo? Use it to form a 'W' or an 'M', or use it to form linked hands around the world. As a corporate ad, we are already flaunting our logos. So why hide it in a corner. Have different children around the world thanking the Golden Arches. This is a corporate ad but that doesn't mean it does not need a strong idea.

Meat & Livestock Australia: We all have our fair share of patriotic ads. I remember doing them myself. It was tough. So what would the Australians do differently? Like all such ads, the country comes first and the company plays second fiddle. Nice idea, slight smile on the face. But memorable?

Maybe. Impactful? Not really. Hard to do well in this category? Definitely.

But well executed and shot.

Samsung: Many years ago, the Indians who worked with me were writers.

And they were good. There were few art directors. Indian TVCs are excellent - humorous with a tinge of Bollywood. But when it comes to their print, most are disappointing although the tools and technology are there. This ad is like all mobile phone ads - show us the phone and show us what it can do and tell them this is the future. How exciting. Let's put everything in one page. Great. But if that is what it's all about, then put more.

Fill the whole page with pictures. If you talk about the future, and you want people to buy it, then floor them with what the phone can really do. And get an Indian writer to work on that headline.

Soo Kee: A thoroughly enjoyable TVC. Warm, whimsical, great cinematography, nice idea. You can almost imagine the casting done by the director and art director checking out the models in town - "Right, can you kiss?" - and having a ball of a time. Hard to fault, so here's my two cents worth: the type was hard to read, maybe it could be the different handwriting as different girls were saying it. The statements could be really whimsical right from the start, rather then making it seem almost like somebody would actually say it. Romance every day is a strong positioning and the execution is spot on.

PCA Life: Prudential's brand platform is 'Always listening. Always understanding.' This has been around a while. Across the region, that is consistent. So what about Korea? To launch Prudential, we have a Guardsman saluting the reader. First off, there is no idea. Whatever happened to listening? Probably in the text next to his ears. British heritage is important but there must be more compelling visuals or concepts. How about a Briton listening to an Asian for a change? And the technique of colour in a black and white picture? If highlighting a contrast is critical to the idea, then alright.

If not, don't do it because it looks dated.

1. DOUBLE A

Project name: No Jam

Client: Double A paper

Brief: Show how paper jams can drive office workers crazy.

Agency: J. Walter Thompson Singapore

Creative director: Norman Tan

Copywriter: Joji Jacob

Art directors: Elvis Chau and Andrew Tan

2. MCDONALD'S

Project name: World Children's Day

Client: McDonald's

Brief: Highlight donations by McDonald's to orphanages, hospitals and

other children's health organisations.

Agency: DDB Philippines

Creative director: Roger Pe

Copywriters: Nadia Camit, Roger Pe

Art director: Manny de Paz

3. MEAT & LIVESTOCK AUSTRALIA

Project name: Australia Day Lamb

Client: Meat & Livestock Australia

Brief: Reinforce the position of lamb as a treasured Australian icon.

Agency: Brown Melhuish Fishlock

Creative director: Warren Brown

Copywriter: Kristine Toms

Art director: Dejan Rasic

4. SAMSUNG CDMA

Project name: Are You There?

Client: Samsung

Brief: Promote Samsung's CDMA products.

Agency: Mudra Communications

Creative director: Ullas Chopra

Copywriter: Ullas Chopra

5. SOO KEE JEWELLERY

PROJECT name: Just Because

Client: Soo Kee Jewellery

Brief: Build the brand on the romance and spontaneity of giving

jewellery to a loved one.

Agency: Lowe Singapore

Executive creative director: Jason Schragger

Creative director: Andrew Reznik

Copywriter: Christy Chan

Art director: Claire Chen

6. PCA LIFE

Project name: Launch Ad

Client: PCA Life

Brief: Launch the PCA brand in Korea with a unique brand identity.

Agency: Ogilvy & Mather, Korea

Creative director: Sangsoo Chong

Copywriter: SeungYoun Oh

Art director: David Ko

Production house: Ogilvy & Mather Korea

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