PRIVATE VIEW: Paul Chan

<p>Is it that we are setting increasingly punishing standards because </p><p>we live in a world in which it seems that everything has been done </p><p>before? </p><p><BR><BR> </p><p>Perhaps. But I must stress that each and every ad I have reviewed here </p><p>has my utmost respect because they respect reality - real-life paying </p><p>clients, real pressures and real demands. </p><p><BR><BR> </p><p>I've been a Formula One fan for ages. So much so that this Mercedes Benz </p><p>ad, the Future of Automobile, starts off on the right foot for me. </p><p><BR><BR> </p><p>The camerawork caught my eye. Even the content approach satisfied me; </p><p>not many people know that a Formula One driver undergoes hours of </p><p>torture while strapped into his car at 180mph. </p><p><BR><BR> </p><p>A commercial, like this one by Ericsson, that attempts to associate a </p><p>'lifestyle/user image' look with a product seldom stirs me. Note the </p><p>glitzy lighting, the shining piano and the yuppies sitting bored in </p><p>their jazz bar etc plus the cool, flirting conversation of the </p><p>characters all brings to mind the cognac and watch ads of the 80's. </p><p><BR><BR> </p><p>Perhaps I wasn't the target audience for this series of ads by </p><p>Asiawise.com. </p><p><BR><BR> </p><p>I really couldn't figure out the one featuring an 'Onion'. Do tech and </p><p>financial matters really make men cry? I also felt that the chosen </p><p>execution styles had been done before. Marking out spaces to illustrate </p><p>a point. </p><p><BR><BR> </p><p>Unreeling of a tape to stress a hint of mystery. A little too familiar </p><p>an approach, perhaps. The trouble with clients that promise to provide </p><p>an edge in information supply, is that too many of them utilise the 'we </p><p>are the guys to come to' approach. This might have been done a little </p><p>differently to avoid blending in with the rest of the crowd. </p><p><BR><BR> </p><p>This series of four McDonald's "Breakfast" ads was probably designed </p><p>with a utilitarian purpose of hammering home the message of an dollars 8 </p><p>meal with few frills on the side. I recognise the creative effort to </p><p>repeatedly stress the dollars 8 message in as new a light as possible. </p><p>However, the approach of 'an ad within an ad' isn't particularly new. </p><p>And what if I only caught the second and fourth in the series? The </p><p>entire intended effect would be lost. All in all, a commendable effort </p><p>in a product category that doesn't necessarily have the greatest </p><p>potential for extreme creativity. </p><p><BR><BR> </p><p>Dentsu's TVCs for Star Channel, titled "Rocky" and "Titanic" are </p><p>hilarious. </p><p><BR><BR> </p><p>Although a bit drawn out, these spoofs had me aching in places I forgot </p><p>I even had. It took me a while to realise what was going on (and isn't </p><p>that a hallmark of some great ads?) but the killer punch knocked the </p><p>wind out of me. The backdrop, the effort to mirror little aspects of the </p><p>original movies all rewarded my long wait for the punchline. </p><p><BR><BR> </p><p>The bid by the Churches of the Love Singapore Movement to make God more </p><p>approachable is not something that people might necessarily associate </p><p>with the Church. But it's obvious in this case, that they're going out </p><p>to attract the younger generation. While I (once again) felt that the </p><p>execution, which used 'still supers' to impress a point, had been done </p><p>before, it was also apparent that this had been a 'writer's style of </p><p>ad-making'. Some of the messages in the ads were refreshingly </p><p>thought-provoking. </p><p><BR><BR> </p><p>Simple yet challenging, I think this series will mean a re-think of the </p><p>client's image in many young minds. </p><p><BR><BR> </p><p>1. MERCEDES BENZ </p><p>Project: F1 Global </p><p>Client: DaimlerChrysler AG </p><p>Brief: The future of automobile </p><p>Agency: Batey Ads </p><p>Creative directors: Garry Tranter, Mattew Cullen </p><p>Copy writers: Mattew Cullen, Andrew Reznik </p><p>Art directors: Darren Hogan, Gary Tranter </p><p>Production Company: Stink 41 </p><p>2. ERICSSON </p><p>Project: Style Outside, Surprise Inside </p><p>Client: Ericsson </p><p>Brief: Promote the 'style inside, surprise inside' of the T29 phone </p><p>Agency: Results Advertising </p><p>Creative director: Canon Wu </p><p>Copy writer: Joy Chueh </p><p>Art director: Kevin Chen </p><p>Director: Wayne Peng </p><p>Production Company: Polychrome Films </p><p>Media Used: Terrestrial and Cable TV </p><p>3. ASIAWISE.COM </p><p>Project: Asiawise.com (No holds-barred) </p><p>Client's name and title: Gene Galbraith, CEO & chairman </p><p>Brief: To create awareness of a new dot com information provider and to </p><p>position the company as a leader in its area. </p><p>Agency: Doremus & Company </p><p>Creative director: Vijayan Ganesh </p><p>Art director: Doris Hiw </p><p>Retouching: Amoeba Digital Imagine </p><p>Media used: SCMP, Today </p><p>4. MCDONALD'S </p><p>Project: Breakfast Promotion </p><p>Client: McDonald's HK </p><p>Agency: DDB </p><p>Creative director: Barry Mok, Louie Hui, Paul Chow and Derek Wong </p><p>Media Used: TV, Bus, Print and Instore POP's </p><p>5. STAR CHANNEL </p><p>Project: Rocky; Titanic </p><p>Client: Star Channel Inc. </p><p>Brief: A new television commercial for Star Channel </p><p>Advertising agency: Dentsu </p><p>Creative agency: Tugboat </p><p>Creative director: Takuji Nakamura (Dentsu Inc.), Yasumichi Oka </p><p>(Tugboat) Director: Shinya Nakajima </p><p>Production Company: Tohokushinsya Film Corp </p><p>6. CHURCHES OF THE LOVE SINGAPORE MOVEMENT </p><p>Project: God </p><p>Brief: To promote a 'God' consciousness in Singapore </p><p>Agency: Ogilvy & Mather </p><p>Copy writer: Eugene Cheong </p><p>Art director: Pei Pei Ng </p><p>Director: Sng Tong Beng </p><p>Production Company: Odeon Productions Hong Kong </p><p>Media Used: TV, Press, Posters, DM, SMS, Internet </p><p><BR><BR> </p>

Is it that we are setting increasingly punishing standards because

we live in a world in which it seems that everything has been done

before?



Perhaps. But I must stress that each and every ad I have reviewed here

has my utmost respect because they respect reality - real-life paying

clients, real pressures and real demands.



I've been a Formula One fan for ages. So much so that this Mercedes Benz

ad, the Future of Automobile, starts off on the right foot for me.



The camerawork caught my eye. Even the content approach satisfied me;

not many people know that a Formula One driver undergoes hours of

torture while strapped into his car at 180mph.



A commercial, like this one by Ericsson, that attempts to associate a

'lifestyle/user image' look with a product seldom stirs me. Note the

glitzy lighting, the shining piano and the yuppies sitting bored in

their jazz bar etc plus the cool, flirting conversation of the

characters all brings to mind the cognac and watch ads of the 80's.



Perhaps I wasn't the target audience for this series of ads by

Asiawise.com.



I really couldn't figure out the one featuring an 'Onion'. Do tech and

financial matters really make men cry? I also felt that the chosen

execution styles had been done before. Marking out spaces to illustrate

a point.



Unreeling of a tape to stress a hint of mystery. A little too familiar

an approach, perhaps. The trouble with clients that promise to provide

an edge in information supply, is that too many of them utilise the 'we

are the guys to come to' approach. This might have been done a little

differently to avoid blending in with the rest of the crowd.



This series of four McDonald's "Breakfast" ads was probably designed

with a utilitarian purpose of hammering home the message of an dollars 8

meal with few frills on the side. I recognise the creative effort to

repeatedly stress the dollars 8 message in as new a light as possible.

However, the approach of 'an ad within an ad' isn't particularly new.

And what if I only caught the second and fourth in the series? The

entire intended effect would be lost. All in all, a commendable effort

in a product category that doesn't necessarily have the greatest

potential for extreme creativity.



Dentsu's TVCs for Star Channel, titled "Rocky" and "Titanic" are

hilarious.



Although a bit drawn out, these spoofs had me aching in places I forgot

I even had. It took me a while to realise what was going on (and isn't

that a hallmark of some great ads?) but the killer punch knocked the

wind out of me. The backdrop, the effort to mirror little aspects of the

original movies all rewarded my long wait for the punchline.



The bid by the Churches of the Love Singapore Movement to make God more

approachable is not something that people might necessarily associate

with the Church. But it's obvious in this case, that they're going out

to attract the younger generation. While I (once again) felt that the

execution, which used 'still supers' to impress a point, had been done

before, it was also apparent that this had been a 'writer's style of

ad-making'. Some of the messages in the ads were refreshingly

thought-provoking.



Simple yet challenging, I think this series will mean a re-think of the

client's image in many young minds.



1. MERCEDES BENZ

Project: F1 Global

Client: DaimlerChrysler AG

Brief: The future of automobile

Agency: Batey Ads

Creative directors: Garry Tranter, Mattew Cullen

Copy writers: Mattew Cullen, Andrew Reznik

Art directors: Darren Hogan, Gary Tranter

Production Company: Stink 41

2. ERICSSON

Project: Style Outside, Surprise Inside

Client: Ericsson

Brief: Promote the 'style inside, surprise inside' of the T29 phone

Agency: Results Advertising

Creative director: Canon Wu

Copy writer: Joy Chueh

Art director: Kevin Chen

Director: Wayne Peng

Production Company: Polychrome Films

Media Used: Terrestrial and Cable TV

3. ASIAWISE.COM

Project: Asiawise.com (No holds-barred)

Client's name and title: Gene Galbraith, CEO & chairman

Brief: To create awareness of a new dot com information provider and to

position the company as a leader in its area.

Agency: Doremus & Company

Creative director: Vijayan Ganesh

Art director: Doris Hiw

Retouching: Amoeba Digital Imagine

Media used: SCMP, Today

4. MCDONALD'S

Project: Breakfast Promotion

Client: McDonald's HK

Agency: DDB

Creative director: Barry Mok, Louie Hui, Paul Chow and Derek Wong

Media Used: TV, Bus, Print and Instore POP's

5. STAR CHANNEL

Project: Rocky; Titanic

Client: Star Channel Inc.

Brief: A new television commercial for Star Channel

Advertising agency: Dentsu

Creative agency: Tugboat

Creative director: Takuji Nakamura (Dentsu Inc.), Yasumichi Oka

(Tugboat) Director: Shinya Nakajima

Production Company: Tohokushinsya Film Corp

6. CHURCHES OF THE LOVE SINGAPORE MOVEMENT

Project: God

Brief: To promote a 'God' consciousness in Singapore

Agency: Ogilvy & Mather

Copy writer: Eugene Cheong

Art director: Pei Pei Ng

Director: Sng Tong Beng

Production Company: Odeon Productions Hong Kong

Media Used: TV, Press, Posters, DM, SMS, Internet