PRIVATE VIEW: Jimmy Lam

<p>Great, no super model pretending to be a hard working mother and </p><p>treating all her jolly kids to some wholesome soya milk. This Soya Gold </p><p>spot simply stands out among so many of today's tried and tested </p><p>ads. </p><p><BR><BR> </p><p>The rather entertaining visual analogy of "no room for sugar when there </p><p>are so many beans" is simple enough for a two year-old to </p><p>understand. </p><p><BR><BR> </p><p>Hmmm, I wonder what it tastes like? </p><p><BR><BR> </p><p>I know some people soaked up a few packs of Tempo by the time they </p><p>finished watching Crouching Tiger, Hidden Dragon. But what is this </p><p>agency trying to prove? </p><p><BR><BR> </p><p>That it like the movie so much it wants to make it itself? Or it has </p><p>found a film director who can follow Ang Lee's footsteps to </p><p>Hollywood? </p><p><BR><BR> </p><p>IDD 009 is offering very low rates? People have lots of things to talk </p><p>about over the phone? What's the idea? </p><p><BR><BR> </p><p>The Diners Club spot is intriguing and involving. I don't mind it being </p><p>a little bit intellectual. It is meant for those people who are </p><p>appreciate substance. Got the message. </p><p><BR><BR> </p><p>A bad ad does not reflect an agency's competence, but the client's. </p><p><BR><BR> </p><p>The same goes for a good ad. </p><p><BR><BR> </p><p>The client for Pond's Double White deserves a commendation. "Women dress </p><p>up for the man they adore" has always been a strong insight. </p><p><BR><BR> </p><p>This agency has done a fine job. Now, can the client encourage the </p><p>agency to push it further, when producing the next spot? </p><p><BR><BR> </p><p>The Japan Racing Association wants you to go to the races. All the </p><p>horse-faced characters really interested me and I can imagine the visual </p><p>impact of these outdoor billboards in the streets of Japan. Horse-racing </p><p>doesn't seem that old fashioned or predictable to young folks any more. </p><p>But I really like the attitude of those two horse-faced young turks in </p><p>the convertible. </p><p><BR><BR> </p><p>I get upset when I see ads from a client where the Chinese version </p><p>features body copy to 'elaborate' the idea, while the English version is </p><p>sweet and simple. As in the Perrier ad, if the English ad needs an </p><p>explanation in its Chinese version, reject it. If the Chinese ad doesn't </p><p>have the sparkle of the English version, fire the Chinese writer. I am </p><p>not sure whether I want to see any more sex jokes in advertising. </p><p><BR><BR> </p><p>May be I have become an old fart Amen. </p><p><BR><BR> </p><p>1 KOWLOON DAIRY </p><p>Project: Kowloon Dairy Soya Gold TVC </p><p>Client: Frenda Wong, sales & marketing manager </p><p>Brief: Launch Soya Gold </p><p>Agency: M&C Saatchi </p><p>Creative director: Andy Wong </p><p>Copy writer: Vivan Yong </p><p>Art director: Tan Khiang </p><p>Production Company: Touches </p><p>Exposure: TV and bus shelter end-boxes </p><p>2 NEW WORLD TELEPHONE </p><p>Project: IDD 009 Instant Cash Discount Promotion </p><p>Client: New World Telephone </p><p>Brief: Promote the "call when you want, where you want" offer </p><p>Agency: TBWA Hong Kong </p><p>Creative director: Raymond Chau </p><p>Copy writer: Rudy Leung </p><p>Art director: Lavin Kwan </p><p>Director: Justin Poon </p><p>Production Company: Such Film </p><p>Exposure: Chinese TV, newspapers, outdoor </p><p>3 DINERS CLUB </p><p>Project: Diners New Image Campaign </p><p>Client: Angel Ng, director of cards business, Diners International </p><p>Brief: To reinforce the positioning of Diners Club Card as "the travel </p><p>and entertainment card" that offers a new experience in life. </p><p>Agency: Euro RSCG </p><p>Creative directors: Rachel Chau, Angela Pong and Marky Lo </p><p>Copy writer: Adrian Lam </p><p>Art director: Amy Koo </p><p>Director: Louis Ng </p><p>Production Company: Film Factory </p><p>Exposure: TV and print </p><p>4 POND'S </p><p>Project: Pond's Double White Lotion </p><p>Client: Anita Ching, senior product manager </p><p>Brief: Give the Pond's brand a totally new look </p><p>Agency: Ogilvy & Mather </p><p>Creative director: Tony Hon </p><p>Copy writer: Florence Lai </p><p>Director: Steve Yuen </p><p>Production Company: Centro </p><p>Exposure: TV and road shows </p><p>5 JAPAN RACING </p><p>Project: Corporate & G1 Races </p><p>Client: Japan Racing Assn </p><p>Brief: Encourage more people, especially the younger generation, to </p><p>attend horse races </p><p>Agency: Dentsu Japan </p><p>Creative director: Kiyoshi Shimada </p><p>Copy writers: Toshiyuki Okano and Minoru Kato </p><p>Art director: Shigenobu Kozuka </p><p>Production Company: Taki Corporation </p><p>Exposure: Print </p><p>6 PERRIER </p><p>Project: Natural Desire </p><p>Client: Perrier </p><p>Brief: The only water to make people thirsty for desire </p><p>Agency: Triangle Pacific </p><p>Creative director & copy writer: Rodney Tam </p><p>Art director: Steve Chan </p><p>Exposure: Magazines,outdoor (MTR and bus shelters) </p><p><BR><BR> </p>

Great, no super model pretending to be a hard working mother and

treating all her jolly kids to some wholesome soya milk. This Soya Gold

spot simply stands out among so many of today's tried and tested

ads.



The rather entertaining visual analogy of "no room for sugar when there

are so many beans" is simple enough for a two year-old to

understand.



Hmmm, I wonder what it tastes like?



I know some people soaked up a few packs of Tempo by the time they

finished watching Crouching Tiger, Hidden Dragon. But what is this

agency trying to prove?



That it like the movie so much it wants to make it itself? Or it has

found a film director who can follow Ang Lee's footsteps to

Hollywood?



IDD 009 is offering very low rates? People have lots of things to talk

about over the phone? What's the idea?



The Diners Club spot is intriguing and involving. I don't mind it being

a little bit intellectual. It is meant for those people who are

appreciate substance. Got the message.



A bad ad does not reflect an agency's competence, but the client's.



The same goes for a good ad.



The client for Pond's Double White deserves a commendation. "Women dress

up for the man they adore" has always been a strong insight.



This agency has done a fine job. Now, can the client encourage the

agency to push it further, when producing the next spot?



The Japan Racing Association wants you to go to the races. All the

horse-faced characters really interested me and I can imagine the visual

impact of these outdoor billboards in the streets of Japan. Horse-racing

doesn't seem that old fashioned or predictable to young folks any more.

But I really like the attitude of those two horse-faced young turks in

the convertible.



I get upset when I see ads from a client where the Chinese version

features body copy to 'elaborate' the idea, while the English version is

sweet and simple. As in the Perrier ad, if the English ad needs an

explanation in its Chinese version, reject it. If the Chinese ad doesn't

have the sparkle of the English version, fire the Chinese writer. I am

not sure whether I want to see any more sex jokes in advertising.



May be I have become an old fart Amen.



1 KOWLOON DAIRY

Project: Kowloon Dairy Soya Gold TVC

Client: Frenda Wong, sales & marketing manager

Brief: Launch Soya Gold

Agency: M&C Saatchi

Creative director: Andy Wong

Copy writer: Vivan Yong

Art director: Tan Khiang

Production Company: Touches

Exposure: TV and bus shelter end-boxes

2 NEW WORLD TELEPHONE

Project: IDD 009 Instant Cash Discount Promotion

Client: New World Telephone

Brief: Promote the "call when you want, where you want" offer

Agency: TBWA Hong Kong

Creative director: Raymond Chau

Copy writer: Rudy Leung

Art director: Lavin Kwan

Director: Justin Poon

Production Company: Such Film

Exposure: Chinese TV, newspapers, outdoor

3 DINERS CLUB

Project: Diners New Image Campaign

Client: Angel Ng, director of cards business, Diners International

Brief: To reinforce the positioning of Diners Club Card as "the travel

and entertainment card" that offers a new experience in life.

Agency: Euro RSCG

Creative directors: Rachel Chau, Angela Pong and Marky Lo

Copy writer: Adrian Lam

Art director: Amy Koo

Director: Louis Ng

Production Company: Film Factory

Exposure: TV and print

4 POND'S

Project: Pond's Double White Lotion

Client: Anita Ching, senior product manager

Brief: Give the Pond's brand a totally new look

Agency: Ogilvy & Mather

Creative director: Tony Hon

Copy writer: Florence Lai

Director: Steve Yuen

Production Company: Centro

Exposure: TV and road shows

5 JAPAN RACING

Project: Corporate & G1 Races

Client: Japan Racing Assn

Brief: Encourage more people, especially the younger generation, to

attend horse races

Agency: Dentsu Japan

Creative director: Kiyoshi Shimada

Copy writers: Toshiyuki Okano and Minoru Kato

Art director: Shigenobu Kozuka

Production Company: Taki Corporation

Exposure: Print

6 PERRIER

Project: Natural Desire

Client: Perrier

Brief: The only water to make people thirsty for desire

Agency: Triangle Pacific

Creative director & copy writer: Rodney Tam

Art director: Steve Chan

Exposure: Magazines,outdoor (MTR and bus shelters)