PRIVATE VIEW: Christine Pong, head of creative at Market Catalyst

<p>I appreciate the effort taken by Olay to be different. I also </p><p>appreciate the constraint of a problem/solution approach which is </p><p>commonly dictated by the client. But I am disappointed at the very </p><p>ordinary result and unappealing art direction. </p><p><BR><BR> </p><p>Nokia is interesting but the approach is not so original and the </p><p>scenario somewhat contrived. I suppose it will blend in pretty well with </p><p>the other ads within the same commercial break where other advertisers </p><p>are also talking to the cool and young generation. </p><p><BR><BR> </p><p>The media buying tactic by StarHub is bold, but my response to the </p><p>concept of "What's next?" is: "What's next?" The true test to any teaser </p><p>campaign is the meat at the end - whether it can support the </p><p>anticipation, and result in a "Wow, that's really somthing!" What you </p><p>don't want is: "Is that all?" One suggestion is to have the teaser work </p><p>harder with the dominating effect of the subway itself. </p><p><BR><BR> </p><p>A round of applause to the New World Mobility's creative and marketing </p><p>team for an outstanding campaign in a cluttered category. It is amazing </p><p>to see how the "hard-sell" features and claims are cleverly weaved into </p><p>a surprising and orignal execution. It is refreshing to see a </p><p>down-to-earth and substantial approach when everyone else is trying to </p><p>be cool and stylish but coming out as superficial. </p><p><BR><BR> </p><p>It takes a lot of courage to come to terms with what the brand stands </p><p>for and translate that into a communication strategy. New World Mobility </p><p>might not be everyone's preferred brand but the campaign definitely </p><p>talks to somebody and amuses plenty. </p><p><BR><BR> </p><p>On the execution side, the script is well versed and authentic, the </p><p>casting very convincing and realistic, some better than the others. But </p><p>on the whole, a campaign that will catch your attention and, most </p><p>importantly, the brand will be remembered with the ads. </p><p><BR><BR> </p><p>Hindustan Times: I am assuming that these ads appear in the newspaper </p><p>itself and it is on such assumption that I made the following </p><p>evaluation. </p><p><BR><BR> </p><p>When the message is the medium itself, I would have high expectations on </p><p>its image campaign. I have to say I am somewhat disappointed. </p><p><BR><BR> </p><p>Change the logo and a few words in the copy, it could well be a campaign </p><p>for a fashion brand, a mobile phone, a shaver, a sanitary napkin. I </p><p>never knew that one needed to have an attitude and a fashionable outlook </p><p>to become a newspaper reader. And if such an approach is distinctive and </p><p>original in the market where it appears, I apologise. But still, can the </p><p>visual at least work harder to arrest my attention in a heavy stack of </p><p>paper? </p><p><BR><BR> </p><p>Cityplaza: I have definitely seen that same execution before from a </p><p>video flash on sohu.com. </p><p><BR><BR> </p><p>But that is not important if the exeuction is employed wisely to tie to </p><p>an original and relevant concept which I think is missing here. Based on </p><p>what had been done for the same client/brand in the past, one would </p><p>expect a lot more. </p><p><BR><BR> </p><p>OLAY </p><p>Project: Olay Facial Moisturisation Programme </p><p>Client: Procter & Gamble </p><p>Brief: Demonstrate how Olay can moisturise and replenish skin </p><p>Agency: Saatchi & Saatchi Vietnam </p><p>Creative director: Paul Ewen </p><p>Copy writer: Paul Ewen </p><p>Art director: Nguyen Hoa Thuan </p><p>Production company: Getty Images Thailand </p><p>NOKIA </p><p>Project: Lost dog/Jewelry/Street Sweeper </p><p>Client: Nokia </p><p>Brief: Let consumers know about Nokia Professional Centres </p><p>Agency: Bates Hong Kong </p><p>Creative director: Iris Lo </p><p>Copy writer: Terry Cheng </p><p>Art director: Francis Hung </p><p>Production company: Such Partners </p><p>STARHUB </p><p>Project: What's Next? Outdoor Brand Campaign </p><p>Client: StarHub </p><p>Brief: To arouse people's curiosity and create a sense of anticipation </p><p>for future innovations by StarHub. </p><p>Agency: Batey Ads </p><p>Creative director: Chris Mitchell </p><p>Copy writer: Chris Mitchell </p><p>Art director: Kelvin Lim </p><p>Production company: Visual Impact Production </p><p>NEW WORLD MOBILITY </p><p>Project: Quality Network Campaign </p><p>Client: New World Mobility </p><p>Brief: To encourage consumers to tell everyone about Nokia being a </p><p>quality brand </p><p>Agency: Bates Hong Kong </p><p>Creative directors: Iris Lo, Keith Ho, Ronnie Yeung </p><p>Art director: Dixion Dai </p><p>Production company: Such Partners </p><p>HINDUSTAN TIMES </p><p>Project: Live Smart </p><p>Client: Hindustan Times </p><p>Brief: To encourage people to lead a successful life </p><p>Agency: Grey Worldwide, New Delhi </p><p>Creative director: Prathap P. Suthan </p><p>Copy writer: Prathap P. Suthan </p><p>Art director: Venkiteswara Iyer </p><p>CITYPLAZA </p><p>Project: Fighting </p><p>Client: Cityplaza </p><p>Brief: To encourage customers to visit Cityplaza Shopping Mall </p><p>Agency: BBDO Hong Kong </p><p>Creative directors: Paul Chan, K.C. Tsang, Keenan Ton and Danny Ma </p><p>Copy writer: Keenan Toh </p><p>Art directors: Chris Fong, Sally Chan </p><p>Production company: Touches </p><p><BR><BR> </p>

I appreciate the effort taken by Olay to be different. I also

appreciate the constraint of a problem/solution approach which is

commonly dictated by the client. But I am disappointed at the very

ordinary result and unappealing art direction.



Nokia is interesting but the approach is not so original and the

scenario somewhat contrived. I suppose it will blend in pretty well with

the other ads within the same commercial break where other advertisers

are also talking to the cool and young generation.



The media buying tactic by StarHub is bold, but my response to the

concept of "What's next?" is: "What's next?" The true test to any teaser

campaign is the meat at the end - whether it can support the

anticipation, and result in a "Wow, that's really somthing!" What you

don't want is: "Is that all?" One suggestion is to have the teaser work

harder with the dominating effect of the subway itself.



A round of applause to the New World Mobility's creative and marketing

team for an outstanding campaign in a cluttered category. It is amazing

to see how the "hard-sell" features and claims are cleverly weaved into

a surprising and orignal execution. It is refreshing to see a

down-to-earth and substantial approach when everyone else is trying to

be cool and stylish but coming out as superficial.



It takes a lot of courage to come to terms with what the brand stands

for and translate that into a communication strategy. New World Mobility

might not be everyone's preferred brand but the campaign definitely

talks to somebody and amuses plenty.



On the execution side, the script is well versed and authentic, the

casting very convincing and realistic, some better than the others. But

on the whole, a campaign that will catch your attention and, most

importantly, the brand will be remembered with the ads.



Hindustan Times: I am assuming that these ads appear in the newspaper

itself and it is on such assumption that I made the following

evaluation.



When the message is the medium itself, I would have high expectations on

its image campaign. I have to say I am somewhat disappointed.



Change the logo and a few words in the copy, it could well be a campaign

for a fashion brand, a mobile phone, a shaver, a sanitary napkin. I

never knew that one needed to have an attitude and a fashionable outlook

to become a newspaper reader. And if such an approach is distinctive and

original in the market where it appears, I apologise. But still, can the

visual at least work harder to arrest my attention in a heavy stack of

paper?



Cityplaza: I have definitely seen that same execution before from a

video flash on sohu.com.



But that is not important if the exeuction is employed wisely to tie to

an original and relevant concept which I think is missing here. Based on

what had been done for the same client/brand in the past, one would

expect a lot more.



OLAY

Project: Olay Facial Moisturisation Programme

Client: Procter & Gamble

Brief: Demonstrate how Olay can moisturise and replenish skin

Agency: Saatchi & Saatchi Vietnam

Creative director: Paul Ewen

Copy writer: Paul Ewen

Art director: Nguyen Hoa Thuan

Production company: Getty Images Thailand

NOKIA

Project: Lost dog/Jewelry/Street Sweeper

Client: Nokia

Brief: Let consumers know about Nokia Professional Centres

Agency: Bates Hong Kong

Creative director: Iris Lo

Copy writer: Terry Cheng

Art director: Francis Hung

Production company: Such Partners

STARHUB

Project: What's Next? Outdoor Brand Campaign

Client: StarHub

Brief: To arouse people's curiosity and create a sense of anticipation

for future innovations by StarHub.

Agency: Batey Ads

Creative director: Chris Mitchell

Copy writer: Chris Mitchell

Art director: Kelvin Lim

Production company: Visual Impact Production

NEW WORLD MOBILITY

Project: Quality Network Campaign

Client: New World Mobility

Brief: To encourage consumers to tell everyone about Nokia being a

quality brand

Agency: Bates Hong Kong

Creative directors: Iris Lo, Keith Ho, Ronnie Yeung

Art director: Dixion Dai

Production company: Such Partners

HINDUSTAN TIMES

Project: Live Smart

Client: Hindustan Times

Brief: To encourage people to lead a successful life

Agency: Grey Worldwide, New Delhi

Creative director: Prathap P. Suthan

Copy writer: Prathap P. Suthan

Art director: Venkiteswara Iyer

CITYPLAZA

Project: Fighting

Client: Cityplaza

Brief: To encourage customers to visit Cityplaza Shopping Mall

Agency: BBDO Hong Kong

Creative directors: Paul Chan, K.C. Tsang, Keenan Ton and Danny Ma

Copy writer: Keenan Toh

Art directors: Chris Fong, Sally Chan

Production company: Touches