FEATURES: Korea adex rebounds amid 'Net fever - A buoyant domestic economy and dotcom spending drove adspend up in Q1

<p>During 1999, the advertising market in Korea was a notable </p><p>beneficiary of economic revival and renewed consumer confidence. </p><p><BR><BR> </p><p>A sustained economic recovery from Q2 onwards resulted in a sharp </p><p>increase in advertising spending, returning the media market back to </p><p>1997 levels. </p><p><BR><BR> </p><p>In Q1 this year, the pace was no less hectic as a buoyant domestic </p><p>economy and a heavy dose of Internet fever drove advertising </p><p>expenditures even higher. </p><p><BR><BR> </p><p>Over the last year or so, foreign-owned advertising agencies have begun </p><p>infiltrating the top agency rankings, although the large in-house </p><p>agencies belonging to groups such as Samsung, LG and Lotte remained the </p><p>dominant force. </p><p><BR><BR> </p><p>Alone among the top five agencies Hyundai's Diamond Ad is now </p><p>foreign-owned - by Cordiant - although it's too early to determine what </p><p>actual difference this will make. </p><p><BR><BR> </p><p>More significantly the realignment of SK Telecoms' advertising over the </p><p>last couple of years has had a dramatic effect on the fortunes of two </p><p>previously small foreign agencies: TBWA and Lee DDB. </p><p><BR><BR> </p><p>TBWA was ranked seventh in last year's official agency ranking whilst </p><p>the new joint venture Lee DDB came in at No.17. </p><p><BR><BR> </p><p>Nearly half of the top 20 agencies now have an overseas connection, </p><p>ranging from affiliation (for example, Sangam/Grey) to full ownership </p><p>(McCann-Erickson, TBWA). </p><p><BR><BR> </p><p>That said, the number of foreigners working in the Korean ad agency </p><p>sector remains very low - less than 10, most of them account handlers or </p><p>business managers. </p><p><BR><BR> </p><p>There's no sign of any of the major media independents setting up shop </p><p>in Korea just yet. </p><p><BR><BR> </p><p>Among the existing players, McCann is branding its media service these </p><p>days as Universal McCann and a Starcom team handles the local P&G media </p><p>AOR assignment in conjunction with Dentsu-backed Phoenix. </p><p><BR><BR> </p><p>Neither Carat or Zenith seem likely to launch into Korea in the </p><p>immediate future. </p><p><BR><BR> </p><p>As ever, lack of effective de-regulation in broadcast media remains a </p><p>significant obstacle to change in Korean advertising. </p><p><BR><BR> </p><p>Nowhere is the current market status, complete with all its </p><p>frustrations, better characterised than on TV. </p><p><BR><BR> </p><p>A recent long-discussed initiative by Kobaco to start airing commercials </p><p>in-programme was recently derailed by a combination of newspaper </p><p>lobbying and "popular opinion" as represented by local civic groups. </p><p><BR><BR> </p><p>Terrestrial TV airtime, which was severely undersold from 1996 until Q4 </p><p>last year, is now experiencing the opposite problem. </p><p><BR><BR> </p><p>As demand for airtime exceeds supply by anything up to 20 per cent, </p><p>Kobaco - the state sponsored sales agent for MBC, SBS and KBS2 - is </p><p>struggling to implement its new GS (Global Standard) sales system. This </p><p>is the first such change since KOBACO's establishment in 1981. Attempts </p><p>over the last few years to re-structure commercial television in Korea </p><p>have come up against a set of familiar obstacles: politics, bureaucracy, </p><p>civic groups and trade unions. </p><p><BR><BR> </p><p>Everyone seems to have strong views on why things shouldn't change, but </p><p>this innate conservatism is increasingly at odds with the commercial </p><p>reality. </p><p><BR><BR> </p><p>Sadly, more commercial TV stations and a free market in airtime still </p><p>seem a distant prospect. </p><p><BR><BR> </p><p>Advertisers in the world's tenth largest advertising market will </p><p>continue to suffer the frustrations of "relationship-based" airtime </p><p>sales (Kobaco) coupled with equally arcane censorship rules. </p><p><BR><BR> </p><p>The American Chamber of Commerce in Korea recently published its annual </p><p>Trade Issues publication, which becomes the basis for lobbying </p><p>politicians and government officials in Washington DC to include certain </p><p>topics in pending bilateral talks between Korea and the US. </p><p><BR><BR> </p><p>The section on advertising identifies three main areas of concern and </p><p>these corresponding recommendations: </p><p><BR><BR> </p><p>TV advertising recommendation </p><p><BR><BR> </p><p>- That Kobaco test in-programme advertising, continue to create more </p><p>flexible TV airtime packages, eliminate the conditional selling of radio </p><p>airtime and adopt 30 seconds as the standard commercial timelength on TV </p><p>station ratecards. </p><p><BR><BR> </p><p>Broadcast advertising censorship recommendation </p><p><BR><BR> </p><p>- Move to a system of industry self-regulation, which has occurred </p><p>successfully in many other countries; for example, the Advertising </p><p>Standards Association (ASA) in the UK. </p><p><BR><BR> </p><p>Establish a transparent, independently funded and internationally </p><p>accepted ASA Korea administered by a professional staff. </p><p><BR><BR> </p><p>As an interim measure, prior to disbanding KBC's censorship role, </p><p>conduct censorship reviews at the storyboard rather than finished film </p><p>stage. </p><p><BR><BR> </p><p>Print advertising recommendation </p><p><BR><BR> </p><p>- Encourage wider participation among magazines and newspapers in ABC </p><p>Korea. </p><p><BR><BR> </p><p>Lastly, some good news. </p><p><BR><BR> </p><p>Dotcom advertising arrived in Korea last year with a vengeance. Brand </p><p>new advertising categories such as online shopping and portals </p><p>appeared. </p><p><BR><BR> </p><p>The biggest jolt, however, came from online share trading and securities </p><p>investment. </p><p><BR><BR> </p><p>The "Buy Korea" fund set up by Hyundai was the biggest-spending ad </p><p>campaign in 1999. </p><p><BR><BR> </p><p>Generally the bigger advertising campaigns are now focused on some </p><p>aspect of technology relating to either Internet or mobile telecoms. </p><p><BR><BR> </p><p>How long this will last is anyone's guess, but despite many </p><p>dysfunctional aspects of the Korean marketplace, speed to market and </p><p>rate of adoption for hi-tech products and services is mightily </p><p>impressive. </p><p><BR><BR> </p><p>Mobile phone penetration is now in excess of 55 per cent, while March's </p><p>latest internet user count exceeds 14 million. </p><p><BR><BR> </p><p>And WAP is coming. Watch this space (or your handphone ...). </p><p><BR><BR> </p>

During 1999, the advertising market in Korea was a notable

beneficiary of economic revival and renewed consumer confidence.



A sustained economic recovery from Q2 onwards resulted in a sharp

increase in advertising spending, returning the media market back to

1997 levels.



In Q1 this year, the pace was no less hectic as a buoyant domestic

economy and a heavy dose of Internet fever drove advertising

expenditures even higher.



Over the last year or so, foreign-owned advertising agencies have begun

infiltrating the top agency rankings, although the large in-house

agencies belonging to groups such as Samsung, LG and Lotte remained the

dominant force.



Alone among the top five agencies Hyundai's Diamond Ad is now

foreign-owned - by Cordiant - although it's too early to determine what

actual difference this will make.



More significantly the realignment of SK Telecoms' advertising over the

last couple of years has had a dramatic effect on the fortunes of two

previously small foreign agencies: TBWA and Lee DDB.



TBWA was ranked seventh in last year's official agency ranking whilst

the new joint venture Lee DDB came in at No.17.



Nearly half of the top 20 agencies now have an overseas connection,

ranging from affiliation (for example, Sangam/Grey) to full ownership

(McCann-Erickson, TBWA).



That said, the number of foreigners working in the Korean ad agency

sector remains very low - less than 10, most of them account handlers or

business managers.



There's no sign of any of the major media independents setting up shop

in Korea just yet.



Among the existing players, McCann is branding its media service these

days as Universal McCann and a Starcom team handles the local P&G media

AOR assignment in conjunction with Dentsu-backed Phoenix.



Neither Carat or Zenith seem likely to launch into Korea in the

immediate future.



As ever, lack of effective de-regulation in broadcast media remains a

significant obstacle to change in Korean advertising.



Nowhere is the current market status, complete with all its

frustrations, better characterised than on TV.



A recent long-discussed initiative by Kobaco to start airing commercials

in-programme was recently derailed by a combination of newspaper

lobbying and "popular opinion" as represented by local civic groups.



Terrestrial TV airtime, which was severely undersold from 1996 until Q4

last year, is now experiencing the opposite problem.



As demand for airtime exceeds supply by anything up to 20 per cent,

Kobaco - the state sponsored sales agent for MBC, SBS and KBS2 - is

struggling to implement its new GS (Global Standard) sales system. This

is the first such change since KOBACO's establishment in 1981. Attempts

over the last few years to re-structure commercial television in Korea

have come up against a set of familiar obstacles: politics, bureaucracy,

civic groups and trade unions.



Everyone seems to have strong views on why things shouldn't change, but

this innate conservatism is increasingly at odds with the commercial

reality.



Sadly, more commercial TV stations and a free market in airtime still

seem a distant prospect.



Advertisers in the world's tenth largest advertising market will

continue to suffer the frustrations of "relationship-based" airtime

sales (Kobaco) coupled with equally arcane censorship rules.



The American Chamber of Commerce in Korea recently published its annual

Trade Issues publication, which becomes the basis for lobbying

politicians and government officials in Washington DC to include certain

topics in pending bilateral talks between Korea and the US.



The section on advertising identifies three main areas of concern and

these corresponding recommendations:



TV advertising recommendation



- That Kobaco test in-programme advertising, continue to create more

flexible TV airtime packages, eliminate the conditional selling of radio

airtime and adopt 30 seconds as the standard commercial timelength on TV

station ratecards.



Broadcast advertising censorship recommendation



- Move to a system of industry self-regulation, which has occurred

successfully in many other countries; for example, the Advertising

Standards Association (ASA) in the UK.



Establish a transparent, independently funded and internationally

accepted ASA Korea administered by a professional staff.



As an interim measure, prior to disbanding KBC's censorship role,

conduct censorship reviews at the storyboard rather than finished film

stage.



Print advertising recommendation



- Encourage wider participation among magazines and newspapers in ABC

Korea.



Lastly, some good news.



Dotcom advertising arrived in Korea last year with a vengeance. Brand

new advertising categories such as online shopping and portals

appeared.



The biggest jolt, however, came from online share trading and securities

investment.



The "Buy Korea" fund set up by Hyundai was the biggest-spending ad

campaign in 1999.



Generally the bigger advertising campaigns are now focused on some

aspect of technology relating to either Internet or mobile telecoms.



How long this will last is anyone's guess, but despite many

dysfunctional aspects of the Korean marketplace, speed to market and

rate of adoption for hi-tech products and services is mightily

impressive.



Mobile phone penetration is now in excess of 55 per cent, while March's

latest internet user count exceeds 14 million.



And WAP is coming. Watch this space (or your handphone ...).