COMMENT: What advertising executives should ask themselves

<p>Even before the terrorist attacks, the global advertising industry </p><p>was in its worst slump since the early 90s. The industry will </p><p>recover. </p><p><BR><BR> </p><p>It always does. Still, most young ad professionals are asking </p><p>themselves: "Is my job safe?" </p><p><BR><BR> </p><p>Maybe it is. Maybe it's not. Instead of obsessing whether the company </p><p>wants us, we should assume a proactive and empowered approach to our own </p><p>future. The question should be: "Is advertising right for me?" The </p><p>question is a complicated one and confusion regarding what a 25-year-old </p><p>wants out of a job (and life) is not only natural but also a near </p><p>certainty. </p><p><BR><BR> </p><p>So, what's an ad person? </p><p><BR><BR> </p><p>First, although it pains me to kill the delusion, advertising is not </p><p>marketing, which is about P&L, distribution, sales force structure, </p><p>shelf facings, etc. Since these variables affect copy, we must be </p><p>sensitive to them and fluent in articulating their relevance to creative </p><p>development. </p><p><BR><BR> </p><p>Advertising, on the other hand, is about simplification, about </p><p>distilling an infinite range of consumer and business variables into one </p><p>compelling message. </p><p><BR><BR> </p><p>Second, true advertising professionals are lateral thinkers. They are </p><p>conceptual. They see relationships between ideas. They are not only </p><p>insightful about communication challenges but also curious about what </p><p>motivates human beings. They are instinctively drawn to articulating </p><p>consumer insights, fundamental motivators of preferences and behaviour </p><p>that answer the question "why?" They are right-brain, not left-brain, </p><p>driven. Yes, we are acutely aware that discipline and sensitivity to </p><p>detail are necessary in doing a good job. But they are not </p><p>sufficient. </p><p><BR><BR> </p><p>True "expert power", the sublime confidence that springs from the </p><p>epiphany you are skilled in ways others aren't, is about shaping and </p><p>articulating a penetrating idea. Expert power is acquired only through </p><p>rigorous dedication. </p><p><BR><BR> </p><p>In creative, we call it cut-through, simple copy. In account management </p><p>and strategic planning, it's called a key response that hits the sweet </p><p>spot of consumer desire. </p><p><BR><BR> </p><p>Third, adguys are leaders. Leadership is not just about "working well </p><p>with people". Leadership is about persuasion - of the subjective, of the </p><p>abstract. Leadership is about confidence and the courage to express a </p><p>considered, insightful point of view - no matter what your title or </p><p>experience. </p><p><BR><BR> </p><p>Imprisonment in an ossified corporate structure, one where tight lips </p><p>reign, is a passport to eternal stagnation. Ask yourself: Can I become a </p><p>person who can persuade not just my client counterpart, his boss and his </p><p>boss' boss? If yes, you're in the right field. If not, you're not. </p><p><BR><BR> </p><p>These three characteristics are the hallmarks of future stars. They are </p><p>the traits that ensure job security and long-term satisfaction in this </p><p>inherently funny field. If you've got 'em in you, apply elbow grease and </p><p>polish. If not, look into your heart and identity what your special </p><p>characteristics are and take your future into your own hands. </p><p><BR><BR> </p>

Even before the terrorist attacks, the global advertising industry

was in its worst slump since the early 90s. The industry will

recover.



It always does. Still, most young ad professionals are asking

themselves: "Is my job safe?"



Maybe it is. Maybe it's not. Instead of obsessing whether the company

wants us, we should assume a proactive and empowered approach to our own

future. The question should be: "Is advertising right for me?" The

question is a complicated one and confusion regarding what a 25-year-old

wants out of a job (and life) is not only natural but also a near

certainty.



So, what's an ad person?



First, although it pains me to kill the delusion, advertising is not

marketing, which is about P&L, distribution, sales force structure,

shelf facings, etc. Since these variables affect copy, we must be

sensitive to them and fluent in articulating their relevance to creative

development.



Advertising, on the other hand, is about simplification, about

distilling an infinite range of consumer and business variables into one

compelling message.



Second, true advertising professionals are lateral thinkers. They are

conceptual. They see relationships between ideas. They are not only

insightful about communication challenges but also curious about what

motivates human beings. They are instinctively drawn to articulating

consumer insights, fundamental motivators of preferences and behaviour

that answer the question "why?" They are right-brain, not left-brain,

driven. Yes, we are acutely aware that discipline and sensitivity to

detail are necessary in doing a good job. But they are not

sufficient.



True "expert power", the sublime confidence that springs from the

epiphany you are skilled in ways others aren't, is about shaping and

articulating a penetrating idea. Expert power is acquired only through

rigorous dedication.



In creative, we call it cut-through, simple copy. In account management

and strategic planning, it's called a key response that hits the sweet

spot of consumer desire.



Third, adguys are leaders. Leadership is not just about "working well

with people". Leadership is about persuasion - of the subjective, of the

abstract. Leadership is about confidence and the courage to express a

considered, insightful point of view - no matter what your title or

experience.



Imprisonment in an ossified corporate structure, one where tight lips

reign, is a passport to eternal stagnation. Ask yourself: Can I become a

person who can persuade not just my client counterpart, his boss and his

boss' boss? If yes, you're in the right field. If not, you're not.



These three characteristics are the hallmarks of future stars. They are

the traits that ensure job security and long-term satisfaction in this

inherently funny field. If you've got 'em in you, apply elbow grease and

polish. If not, look into your heart and identity what your special

characteristics are and take your future into your own hands.